Saturday, April 17, 2010

Interlude 2: "Yes, we want!" ...to learn English poorly?

http://www.elpais.com/articulo/madrid/Yes/we/want/anunciar/coles/bilingues/mal/ingles/elpepusoc/20100416elpmad_1/Tes


The reason people like me have jobs in Spain, the reason those jobs can sometimes be challenging... and the reason more people should hire us.

Seriously, people. This is just embarrassing.

(For those of you who speak only English, I'll see if I can work up a translation one of these days. Basically, the new slogan to advertise bilingual schools is simply "Yes, we want!" No direct object in sight.)

LOLcats have taken over the Consejería de Educación. It's the only logical conclusion.


Monday, April 5, 2010

Interlude: obsesión fotográfica

Reviewing, editing, and hunting among a myriad of my old photographs is at once an exercise in patience (there’s so many!) and in vanity (some of them came out quite well!), and a swift jog to the memory—which, I imagine, is a large part of the reason why I take so many pictures in the first place. I don’t want to forget a single corner of the places I have loved.

A friend once half-jokingly accused me of paying more attention to the pictures I take than to my actual surroundings. On one hand, that’s not true at all. I do enjoy the actual traveling more than I enjoy taking pictures. I don’t see the world solely through a camera lens. And yet… it’s hard to stop seeing in angles and light and repeating or contrasting elements. Photography is an art, and I take as much pleasure in it as I do in my writing. And, of course, there’s the other half of the equation, the half that keeps me clicking the shutter even if the light is poor or the colors drab.

One look at those photos, and I am once again walking down a cobblestone street lined with jewel-toned tiles, once again breathing the tangy ocean air, once again smelling ripe oranges or hearing the trill of a goldfinch. The truth is, I hoard these photographs (I almost never delete even the muddled ones). I keep them as a backup, a trigger for my memory. I have spent significant time in nursing homes; I have seen firsthand memory ravaged by time. And I know a few photos could never stave off that kind of disaster, but I don’t want to fall prey even to a casual forgetting. I do not want to surrender my memories to the mist of time that devours so much of our lives. I have been wondrously happy here. Twenty years from now, I want to have something vivid to hold onto—not just the names of a few cities ticked off a list or a vague recollection of contentment. It’s the same with everywhere I go, every place I’ve called home. I want to be able to conjure the walls of my house, the needles of the pine trees surrounding the cabin, the color of the sky caught in the spray of a fountain… the people and places I may never see again, and that are therefore all the more precious.



I try not to see the world through my camera lens (though judging by the sheer quantity of photos I take, many of you may not believe me). But I am desperate to have it capture my world, because I am stubborn and greedy and refuse to let go completely and consign any one moment solely to the dim past. So when my camera comes out at a dinner or on a walk down Gran Vía or even for the snow-covered branches of a birch tree back home, please bear with me. It may be a futile pursuit to try and capture each fleeting moment, but it soothes my heart nonetheless. And who knows—some of those pictures might just turn out to be beautiful, too.

I now return you to your regular programming.